And for a film whose primary target audience includes children, its objectification of the three female leads is condemnable. Almost every character, including the girls’ parents keep referring to them as “figurunga”. And every scene involving them has a character asking them to sleep with the hero.

But even more disappointing is the way the film tries to pass off as a socially responsible one. The franchise has previously empowered the marginalised, like transgenders and disabled, through the backstory. But this time, rather than seem like empowerment, this section feels like exploitation of the underprivileged to boost the image of its star. We had other actors playing these sympathetic characters in the previous films, but here, the star himself chooses to play the saviour, confirming our suspicion.